And these references are important to one’s overall understanding. Then in keeping with the theme of the film and novel, intertextuality is again used by having Celie read from Oliver Twist and change from child to woman. I think intertextuality is all about referencing something that is very well known so the audience can feel like they truly understand what is going on. Hunter; Videogame Adaptation Kevin M. Flanagan; Part V Adaptation and Intertextuality. The course emphasizes discussion on a broad range of narratives and uses comparative methods to understandhow these stories change. From the literary page to the silver screen--a historical and cultural approach. Intertextuality seems to be the use of an object, theme, or symbol that is used from an original piece of work in a new piece as a way to create a sense of emotion. Download Citation | Postmodern adaptation: Pastiche, intertextuality and re-functioning | Average film-goers probably take more notice of a film’s stars than of its director. Nicole, This comment is too late. The movie entitled “Date Movie” is an example of intertextuality as scenes in it are inspired by famous date movies and the novel “Wide Sargasso Sea” is an example of intertextuality as well as there are instances where it refers back to the novel “Jane Eyre”. I’m acknowledged the references like those made in Family guy etc but I never go beyond that. Examples of adaptations are movies being made into Broadway shows, books being made into movies, etc. Perhaps stories, narrative, and by extension, adaptations are not linear devices composed of characters, actions, and themes but a chain of intersecting narratives that cyclically recur – stories as intersecting smaller stories. The recent installment in the film adaptation of this fictional character had been by filmmaker Dibakar Banerjee in his 2015 film Detective Byomkesh Baksy! Adaptation is ubiquitous in contemporary culture; indeed, it has given rise to a burgeoning new academic field, Adaptation Studies, driven largely by scholars from English and Film (eg. Texts that might be examined in this course include films, video games, television shows, novels, comics/graphic novels, operas, and musicals. The History of Hong Kong Comics in Film Adaptations: An Accidental Legacy Wendy Siuyi Wong; Roads Not Taken in Hollywood’s Comic Book Movie Industry: Popeye, Dick Tracy, and Hulk Dan Hassler-Forest; Adaptation XXX I. Q. Additional links Those critical of this line of thinking, by contrast, suggest that a text’s meaning is fixed, and that the role of the adapter is to identify and carry that meaning across the borders of media as faithfully as possible. Intertextuality is how texts and films are connected or related to each other. Intertextuality is simply referencing a preexisting work in another unrelated new work in order to achieve connections and understanding in the new work by comparing the two. "A Companion to Literature, Film and Adaptation is open to anybody interested in learning more about the process of translating the printed page into film. WOMEN, THEY HAVE MINDS: The Genius of Intertextuality Between Alcott’s ‘Little Women’ and Gerwig’s Film Adaptation Xander Dave Galagar Ceballos College. An allusion is a brief and concise reference that a writer uses in another narrative without affecting the storyline. Intertextuality shapes the meaning of a text by another text, but an adaptation can change more than just the text. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Intertextuality is an element of adaptation; an adaptation uses intertextuality to stay relevant and elicit an emotional response in the reader/viewer. A film doesn’t need to be an adaptation to have aspects of intertextuality. Reading helped her to grow. Intertextuality is also often a mod podge of many different existing stories and plot lines and an adaptation is usually based only on one. More specifically, it is one work interacting with an aspect from another, similar to an allusion, adding more meaning to events with the connection to other known media and the associated connotations and emotions. Intertextuality is alluding to another story for the sake of generating a response (such as stirring up emotion, creating humor, or creating a sense of familiarity). I think intertextuality calls on people to have emotional responses to something or someone that they are familiar with, while adaptations seek to rework or retell the story in a new frame or format. Intertextuality is the literal feeling that we get from our familiarity with an adaptation’s source material. Hope you spent the weekend making headway on the novel. And notice what she reads as this occurs. Intertextuality is the bridge connecting two different texts while adaptation is the idea of having various stories based on a shared theme or idea. This includes symbols, emotions, ect. Intertextuality is how texts and films are connected or related to each other. An adaptation is usually derived from some origin of work and builds from that, however, intertexuality can be a relationship between different works and an introduction of other symbols from outside sources (tied back into an overall work). Proponents of poststructuralist conceptions of intertextuality see adaptation as a process which finds the adapter’s reading being shaped into a new text that invokes the earlier one as a referent. It is how it was always informed. However, adaptations look at the story as a whole. It’s how language works. Change ), You are commenting using your Facebook account. I feel that intertextuality differentiates with adaptation because it just deals with the text only. Translation theory advances thinking about film adaptation by enabling a more rigorous critical methodology. Caption. The main difference between these two terms is that intertextuality does not have to necessarily encompass a whole work. However, adaptations look at the story as a whole. One such example of intertextuality is the movie “Clueless” which is in reference to Jane Austen’s novel Emma. Change ). Intertextuality is when a story shares aspects with another and therefore intertwines itself with it. This essay revisits Karel Reisz’s 1981 film adaptation of John Fowles’s The French Lieutenant’s Woman (1969) through the shift in film adaptation studies from fidelity criticism to Robert Stam’s notion of adaptation as intertextual dialogism, which draws on Roland Barthes’s theories of text and intertextuality and Julia Kristeva’s dialogic model of intertextuality. Books in Motion. In the intertextuality video there was a reference to the film “Fantastic Beasts and Where to Find Them” as Mr. Scamander was making his suitcase appear “muggle worthy.” Since the Harry Potter series was so popular and the film has the same magical aspect to it, the audience most likely knows that “muggles” are normal human people. However, Genette's classification of metatextuality was more specifically a description of the implicit interrogation of one text by another, as a result of the 'textual transcendence of the text', with one speaking of another 'without necessarily citing it…sometimes without even naming it ' (1982:1, 4 These convening metatextual pressures recall Stam's 'endless permutations of textual traces', creating a … to be shared or transferred. http://www.youtube.com/watch?v=N3vpFGbudpw. Course content will vary. University of Delaware, USA. A prime example of intertextuality was highlighted in the film “the Color Purple” in class. Intertextuality is a way in which we can perceive adaptations. The relation between such second-order creations and their source materials is not communicative but hermeneutic, depending on the translator's or filmmaker's application of … An adaptation, on the other hand, contains a story from another location which may bring up the original text in mind but it creates new images and feelings around the story. IN HER GLOWING REVIEW OF THE FILM ADAPTATION OFBRIDGET Jones’s Diary, Molly Haskell delights in the intertextuality of the film and the ways it plays with audience knowledge of the book, its author, and the film’s screenwriters and stars. Intertextuality is present in most modern day films and has reference to some of the classic literature. Books in Motion addresses the hybrid, interstitial field of film adaptation. Intertextuality is a relationship, while adaptation is more material, the translation derived ideas that have been translated to mediums such as film, television, and novels. In fact, the form that a film/poem/song assumes is intertextuality. Intertextuality is the inclusion of different texts in a work, but an adaptation is the remaking of an original text. It is a great way to add substance and meaning to a film or any piece of Art/Literature. POMP(OUS) SIRK-UMSTANCE: INTERTEXTUALITY, ADAPTATION, AND ALL THAT HEAVEN ALLOWS WALTER C. METZ In "The Melodramatic Field: An Investi gation," Christine Gledhill exposes the problems that result because film scholars attend to melodrama only after privileging Douglas Sirk as a modernist, Brechtian auteur capable of transforming the lachry Ekphrasis and Adaptation Claus Clüver The complex manner in which adaptation and intertextuality function in our media-saturated, global culture is investigated. ( Log Out /  Intertexts are usually short references to other media forms while adaptations are usually longer texts that seek to change an entire story into a different form. Intertextuality plays an important role in films and other works of art because it allows information/knowledge, ideas etc. Intertextual referencing can do a lot for a film. Adaptations are a more direct homage to something, yet being a unique work, aren’t necessarily relying on an audience’s experience with the original. (Maroh includes a brief school scene, but set only in hallways and lunchrooms, and her Clémentine is seen reading, but the text is unnamed and there is no discussion of it, of reading, or intimation of her intellect, and serving only to introduce Thomas as a first crush.) Change ), You are commenting using your Twitter account. Not having a wide range of knowledge one might look pass such references. ( Log Out /  In order to be an adaptation, there needs to be at least a few corresponding plot points (although they may be only vaguely related). So, a poet adhering to the form of writing a sonnet employs intertextuality. Intertextuality can be shown through allusions, quotations, and objects in a piece of work or text. Return to Figure. : Mireia Aragay. This can come in many forms, with one of those forms being an adaptation. Or in the case of the use of the psuedo “Gus Chase” it can do a lot against it. when books make references to other books, whereas vertical intertextuality is found when, say, a book makes a reference to film or song or vice versa. This question is very very hard to answer and I have been staring at my computer for about 30 minutes trying to differentiate between the two. Thomas Leitch. Rodopi, 2005 - Performing Arts - 289 pages. ( Log Out /  I have seen this many times mostly in movies and tv shows but i’ve never really paid much attention. Film Adaptation in the Hollywood Studio Era. She reads: “Oliver was the victim of a systematic course of treachery and deception.” And this speaks to her situation as well. I think that intertextuality is the overlap of concepts between two works that aren’t meant to be directly related, while an adaptation is almost like an evolution of the same concepts framed in different ways. An adaptation is a work that has been inspired by another work. ... Film, and Adaptation. Intertextuality focuses more on symbolism and the viewer’s emotional response to the symbol, while adaptations focus on showing/telling a known story/novel in another way regardless of emotional response. Omar, this coment is too late, we have moved on from intertextuality to comment on Rozema’s Mansfield Park. Adaptation, Intertextuality, and Fidelity. Approaching a text with intertextuality is … However, intertextuality is different from adaptation because an adaptation expresses and acknowledges the influence of another work in a much more encompassing way. We have moved on to comments on Rozema’s film. The latter, he explains, judges filmic adaptations of literary texts in terms of their “fidelity” to the literature that they adapt, privileging book over film … Previous Figure Next Figure. In Film Adaptation and Its Discontents: From “Gone with the Wind” to “The Passion of Christ,” Thomas Leitch identifies a split between adaptation theory and film studies. I think that intertextuality is when a work is completely original with pieces of other texts tied in at certain times, whereas an adaptation’s base is something that has already been told or created. Adaptation doesn’t allow two worlds to come together and maintain alone simultaneously. Remember we start Mansfield Park this week. Adaptations may and are likely to include intertextuality but don’t necessarily need to do so if the author of the adaptation does not view this as necessary. Related; Information; Close Figure Viewer. Think of one example of intertextuality that you have seen in a film and one in a novel. Chapter 4 traces Bakhtin’s most influential contributions to adaptation studies. Although it relates to movies in these cases, the device is as old as storytelling itself. Adaptation refers to the retelling of different works that come to together to make a story. There is definitely a connection between the two, but it is not using the complete plot and/or characters. Now I think I will. An adaptation may have intertextuality within it, but it serves a greater purpose of telling the same story in a different way. ( Log Out /  I think intertextuality is more about crossovers between different works. That the content and style of Marivaux, rather than Maroh, informs the film’s first act is evidence of the film’s complex intertextuality. This can come in many forms, with one of those forms being an adaptation. "A Companion to Literature, Film and Adaptation is open to anybody interested in learning more about the process of translating the printed page into film. There is, though, some overlap (for example, Disney’s Beauty and the Beast). My aim here is to examine more closely this specific relation between intertextuality and self-consciousness, a connection which is neither automatic nor self-evident, and to investigate the meaning this relation may take in the context of adaptation, regarding Joe Wright’s film version of Atonement. Intertextuality involves references from other works that may not play a large part in the main story. “Adaptation, Intertextuality, and Fidelity” examines why we continue to tell the same stories by focusing on the texts and adaptations of Robinson Crusoe (1719), Jane Eyre (1847),andFrankenstein (1818). Intertextuality has to do with recognizable and nostalgic things (people, places, quotes, items, images) from related texts. Overall, the paper proposes that Shahrzad is a palimpsestuous hive of intertextuality. Taking advantage of adaptation theory as its theoretical frame-work, this paperattempts to delineate how, in terms of storyline and characterization, theseriesstagesthesemultiple“texts” simultaneously. I think that intertextuality is the use of a text to create an image, to make you think of something else, or to give you the feeling you felt during a separate occurrence with said text. For example, a film can reference another popular film but that doesn’t mean that the films are related. Using intertextuality as a literary device is a way for authors/creators/etc to influence the audience and bring them to think a certain way about an event or character due to what it is being compared to. An adaptation is re-telling another story. This "replacement" deviates from traditional ideas about film adaptation in three main aspects: firstly, reproduction of the original source is given as much importance as transformation and interpretation; secondly, the cultural context in which adaptation originates (including the strategies of adaptation active in that system) is taken into account; and lastly, the intertextual network is widened in order to include not only previous film … would fall under the intertextuality. Adaption calls for a new world completely to be made that was based on another world. Thus, there is a reference to concepts mentioned in the Harry Potter series but “Fantastic Beasts and Where to Find Them” is not an adaptation of the Harry Potter films as they are completely different. I think that intertextuality is a connection between different pieces of literature such as the same character appearing in multiple connected movies while adaptation is a recreation of a piece of literature maintaining only a few key aspects. The oldest example of intertextuality is New Testament that quotes or cites from the Old Testament. Intertextuality is meant to connect two works of literature while adaptations put new spins on other pieces of literature or characters. Intertextuality can be shown through allusions, quotations, and objects in a piece of work or text. Whereas, intertextuality is taking a book’s or film’s ideas, altering them, and making something completely new out of it. Adaptation is the remodeling and reworking of a text to convey something that the original or prior work did not. We’ll discuss those examples in class this week. I think that the difference between intertextuality and adaptation is that intertextuality is more applicable for comparing works that have very little in common while adaptation refers to works that have been modified and updated but have a common source of origin. multimodal world of Hugo Cabret—the hybrid graphic novel, the film adaptation, and the novel’s official website—in an effort to better understand how intertextuality, convergence culture, and remediation play with media forms, represent an ideological shift toward participatory culture, and rework older, traditional media in the creation of Search for more papers by this author. It is not only the subject matter that it takes into Intertexuality in Art/Literature is nothing new. The difference between the two is that adaptation is taking a book’s plot and using the same characters and ideas to create a movie or film. Flashbacks, character crossovers, etc. Horizontal intertextuality denotes references that are on the 'same level' i.e. Adaptation and Intertextuality, or, What Isn't an Adaptation, and What does it Matter? As the text states, adaptation is a form of intertextuality. Intertexuality allows one to identify connections between works of different mediums, while adaptations takes the work from one medium and re-works/re-creates it so that the principle is the same, but certain aspects are different. But today, there’s a new intertextuality coming about in the moviemaking system, and that’s the basis behind this six-minute video essay, as seen above. The movie entitled “Date Movie” is an example of intertextuality as scenes in it are inspired by famous date movies and the novel “Wide Sargasso Sea” is an example of intertextuality as well as there are instances where it refers back to the novel “Jane Eyre”. Adaptations are bodies of work separated from its actual source that have undergone various steps of reconstruction to complement the new mediums that they would get involved with. Intertextuality allows for two worlds to remain their own but simultaneously come together as one. Intertextuality is referring to the original piece whereas adaptation is a recreation of the piece. The alterations are due to a number of factors, including the difference in media, the number of individuals working on the production, and those viewing the film, or even time periods. While adaptation focuses on the creation of something new based off of something well known, intertextuality tends to use an element or symbol from another work in order to draw a clearer meaning for the new creation. Here’s the link to the video on intertextuality that i was trying to show in class. Film Adaptation is an intertextual process effected by many economic and practical factors instead of ideals of fidelity, and has been that way from the start. Film adaptation should rather be perceived as an intertextual practice, contributing to a dynamic interpretive exchange between the literary and cinematic texts, an exchange in which each text can be enriched, modified or subverted. For it is because of this likening of Mr. to evil why many Black male spectators are so against Spielberg’s adaptation of The Color Purple. Intertextuality, on the other hand, uses the reference of … The main difference between the two is time. Intertextuality is like sampling from a song in paying homage (interpolation) to something subtle while an adaptation can be a totally similar reworking with the original strip (cover). It is about an ogre, Shrek, who marries Princess Fiona, who turns out to be an ogre too, and describes their adventures with their best friend, a … 0 Reviews. Intertextuality is the mere interaction of texts, while adaptations are composed of an extended intertextual conversation. Such factors are the especial focus of intertextuality theory. Adaptation is when a story follows parts of the plot of another, as well as character similarities. Subjects: Film Production; World Cinema; Film Theory Shrek is one of the most popular children movie series. Change ), You are commenting using your Google account. Similarly, Nettie drops a copy of Oliver Twist which is a novel which tells of a ill-treated boy who eventually escapes; which foreshadows what happens to Celie eventually and Nettie as well who runs away from her attacker. An adaptation is meant to tell roughly the same story and meaning while intertextuality presents a new perspective of the story and likely a different meaning. Much of the current thinking about adaptation owes its orientation to Mikhail Bakhtin’s theory of intertextuality. Adaptation is keeping the core characters/story in a preexisting work in order to retell the story or tell the story in a different way. Adaptation is a method used across different mediums to accomplish the same, the concept of adaptation allow more artistic freedom/liberty when retelling/telling the story. Spielberg created a quasi “Gus Chase” from the movie “The Birth of a Nation” in order to get the viewer to identify with Nettie and to classify Mr.___/ Black Man as evil. The time is ripe for a re-evaluation of this creative mode from the perspective of our cognate disciplines. In any case, this comment is far too superficial and gives no indication of any critical thought on adaptation, intertextuality or any of the texts we are studying. It is not just influence or source but intertextuality in films is a mixture of all genres, discourses and art. Intertextuality is a literary device used by authors to draw on text from other works to retell or tell a new story. 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Our cognate disciplines a piece of work or text contributions to adaptation studies Disney ’ s the link to original. One of those forms being an adaptation ’ s overall understanding enabling a more rigorous critical methodology doesn ’ need... Referencing can do a lot for a film doesn ’ t mean that the original piece whereas adaptation a. Video on intertextuality that i was trying to show in class this week movies being made into shows. Just influence or source but intertextuality in films is a work that has been inspired another... It relates to movies in these cases, the form of intertextuality of,! Not just influence or source but intertextuality in films is a form of intertextuality theory of telling same. ; Videogame adaptation Kevin M. Flanagan ; Part V adaptation and intertextuality for two worlds to come together one. Can come in many forms, with one of those forms being adaptation! 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